The Kingdom of Abraxeon has fallen under siege by the Dreadites, a scourge of bloodthirsty demonic warriors said to herald the return of the sinister, ancient sorcerer Nekromemnon. The titular Deathstalker (martial artist and legendary stuntman Daniel Bernhardt) is a lone wolf who survives by scavenging the corpses strewn about the battlefields. After recovering a mysterious amulet, he becomes cursed by an arcane magick, sending him on a quest to remove the curse and rid the realm of evil.
Inventive practical effects take center stage in FX wizard Steven Kostanski’s (Psycho Goreman, Manborg) thrilling reboot of the 80s cult classic sword-and-sorcery film series. Featuring animatronic demons, rubber masked trolls, stop-motion skeletons, copious amounts of blood, and a hard rock theme song composed by Slash (who is also a producer of the film), Deathstalker is a heavy metal hack-and-slash adventure that offers something for gorehounds, fantasy nerds, and anybody looking for a big dose of direct-to-video nostalgia.
Supported by
Media Partner
Daniel Bernhardt, Christina Orjalo, Paul Lazenby, Nicholas Rice, Patton Oswalt
USA/Canada
2025
English
At International Village
At The Rio
Book Tickets
Credits & Director
Executive Producer
Slash
Producer
Pasha Patriki, Michael Paszt, James Fler, Peter Kuplowsky, Andrew Hunt
Screenwriter
Steven Kostanski
Cinematography
Andrew Appelle
Editor
Robert Hyland
Production Design
Joshua Turpin
Original Music
Blitz//Berlin
Steven Kostanski
Filmography: Manborg (2011); Father’s Day (2011); The Void (2016); Leprechaun Returns (2018); Psycho Goreman (2020); Frankie Freako (2024)
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.