Canadian Premiere
Romanian auteur Radu Jude tosses off films the way other people send emails. Dracula is his fourth feature since Do Not Expect Too Much from the End of the World in 2023 (Kontinental ’25 also screens at this year’s VIFF), and at 167 minutes, it’s at least half a dozen movies for the price of one. Ironically, it purports to be the work of an uninspired hack director who has previously agreed to make a commercial film about Dracula, but who has no ideas — so he turns to AI.
Issuing prompts based on the Count’s storied cinematic legacy — a touch more Murnau here, some Coppola there — Jude’s on-screen alter ego more than fulfills his mandate to include “sex, nudity, emotion, violence, lots of blood, chases, jokes,” without remotely delivering the “super-commercial” movie he promised the producers. Rather, this is a bawdy, comic deconstruction of Romania’s most exploitable IP from Eastern Europe’s last refusenik, a rude Jude burlesque with something to offend everyone.
Supported by
Media Partner
Adonis Tanța, Gabriel Spahiu, Oana Maria Zaharia, Andrada Balea, Ilinca Manolache, Șerban Pavlu
Romania/Austria/
Luxembourg/Brazil
2025
In Romanian, English and German with English subtitles
Book Tickets
Credits & Director
Producer
Alex Teodorescu, Rodrigo Teixeira
Screenwriter
Radu Jude
Cinematography
Marius Panduru
Editor
Cătălin Cristuțiu
Art Director
Andreea Popa
Radu Jude
Radu Jude is the Romanian director and screenwriter of numerous critically acclaimed films, beginning with his feature debut The Happiest Girl in the World in 2009. In 2021, his film Bad Luck Banging or Loony Porn won the Golden Bear at the Berlin International Film Festival, and its follow-up, Do Not Expect Too Much from the End of the World, received the Special Jury Prize at the Locarno Film Festival in 2023. His latest feature, Kontinental ’25, a low-budget independent production, was awarded the Silver Bear for Best Screenplay at the 2025 Berlinale.
Filmography: The Happiest Girl in the World (2009); Aferim! (2015); Scarred Hearts (2016); I Do Not Care If We Go Down in History as Barbarians (2018); Bad Luck Banging or Loony Porn (2021); Do Not Expect Too Much from the End of the World (2023)
Missing VIFF? Check out what's playing at the VIFF Centre
Cookie Queens
A documentary about the annual Girl Scouts' cookie sale is probably not high on your list of must-sees, but don't be too sure — this movie is a delight, a rare celebration of girlhood, supportive family relations, and the art of salesmanship.
A Simple Machine
Cutting costs, swapping four wheels for two, Nick is downsizing to pay off his student debt. It's a path which leads to savings he had not anticipated, even if his girlfriend thinks he's losing it (and she may be right). A lean, low budget gem.
Jackie Brown
Take half a dozen characters who know they're in a fix, and give them half a million dollars to fight over. Tarantino's crime movie (his best) transcends genre in large part because in Pam Grier and Robert Forster it gives us people we truly care about.
Princess Mononoke
A mystical fight between humans and the Animal Gods of the forest. Ashitaka, the last prince of a dying race, struggles to find a way for both sides to co-exist. But the fighting only becomes more and more bloody and all hope seems to be lost…