World Premiere
From writer-director Lee Jun Sup comes a jet-black — or rather, blood-red — comedy-thriller about crime, consumerism, and the price people will pay to get ahead. After a close call with her sleazy new boyfriend, Jae-in (Jung Yi Ju) discovers a prominent soap company is offering a service to clean up more than just your average mess. Discreet, corporate-minded, and methodical, the outfit in question does a good job, allowing Jae-in to go back to her life as an aspiring actress. She’s haunted by lingering paranoia, however, and soon she remembers a loose end that needs attending to…
Lee is not one to waste time, and every second of his two-hour film counts. Opening with a warped take on TV commercials, the plot that follows is streamlined and suspenseful. The send-ups of corporate culture and the world of screen acting are darkly amusing, and visually Savon is a treat — sleek, polished, and finely composed. Lee has the smarts of a good satirist and the instincts of a born entertainer.
Oct 4 & 5: Q&A
Cooperating Organizations
![]()
Media Partner
Community Partner
Jung Yi Ju, Kwak Minkyu, Park Jong-Hwan, Bang Jae-Min, Oh Gi-Gwang, Kim Do-Young
South Korea
2025
In Korean with English subtitles
Book Tickets
Credits & Director
Producer
Kim Ju-Hyoun, Lee Geun-Ho
Screenwriter
Lee Jun Sup
Cinematography
Hwang Gyeong-Hyeon
Editor
Jeong Ji-Eun
Production Design
Kim Hyun-Ji
Original Music
Shin Sung-Min
Lee Jun Sup 이준섭
Lee Jun Sup, born 1989, is a South Korean filmmaker. He studied film in New York before returning to Seoul, where he has made several short films. Savon (2025) is his feature directorial debut.
Filmography: Before I Grow Up (2016)
Missing VIFF? Check out what's playing at the VIFF Centre
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Democracy Under Siege
As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.


