Trekking into an unforgiving Moroccan desert in a desperate search for his missing daughter, Luis (Sergi López) gets caught up in an anarchic rave that resembles Bosch by way of Burning Man, backed by deafening EDM. Tagging along with a group of crusty outsiders as they head for their next hedonistic happening, Luis ventures offroad in a bid to evade the authorities. But as the convoy places itself at the mercy of an unimaginably perilous landscape, their ecstasy is quickly eclipsed by a feeling of damnation.
Opening his film with the assembly of a fortress-like wall of speakers — then unleashing its sonic payload — director Óliver Laxe is candid about his intention to assault the senses. And he upholds that dark covenant with a vengeance, orchestrating a film that casts the same fatalistic spell as William Friedkin’s Sorcerer while offering instances of deranged Looney-Tunes-through-the-looking-glass humour. Sirât will have you riveted for every second of its runtime and rattled for hours after the end credits have rolled.
Jury Prize, Cannes 2025; Oscar Submission: Spain
Sergi López, Brúno Nuñez, Stefania Gadda, Joshua Liam Henderson, Tonin Janvier, Jade Oukid
Spain/France
2025
In Spanish and French with English subtitles
Graphic violence
At Vancouver Playhouse
At The Rio
Book Tickets
Credits & Director
Executive Producer
Esther García
Producer
Domingo Corral, Oliver Laxe, Xavi Font, Pedro Almodóvar, Agustín Almodóvar, Esther García, Oriol Maymó Ferrer, Mani Mortazavi, Andrea Queralt
Screenwriter
Santiago Fillol, Oliver Laxe
Cinematography
Mauro Herce
Editor
Cristóbal Fernández
Production Design
Laia Ateca
Original Music
Kangding Ray
Óliver Laxe
Filmography: You Are All Captains (2010); Mimosas (2016); Fire Will Welcome (2019)
Photo by Quim Vives
Missing VIFF? Check out what's playing at the VIFF Centre
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
The End of the Internet + Installation & Talk
Forget the cloud. "The net" is a far more accurate metaphor for the www. Filmmaker Dylan Reibling meets the hacktavists around the world fighting for the independent flow of information free from censorship and exploitation.
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...
Two Pianos
Once promising concert pianist Mathias (François Civil) returns to his native Lyon after a long absence. He's here to pay homage to his mentor, Elena (Charlotte Rampling). But a chance encounter with an old flame sends him spiraling.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.