Canadian Premiere
Abandoned by his mother at an all-boys water polo camp, 12-year-old Ben (Everett Blunck) is plunged into the deep end of toxic peer pressure. Almost debilitatingly shy and terrified of incurring the wrath of his feral campmates’ pint-sized ringleader (Kayo Martin), Ben joins the braying pack in mercilessly tormenting Eli (Kenny Rasmussen), an awkward kid whose unsightly skin rash has been branded “the plague” and deemed highly transmissible by the boys. But when Ben begins to find similar blemishes on his own body, he questions whether there might possibly be some credence to their wild claims…
One of the most promising debuts from this year’s Un Certain Regard section at Cannes, Charlie Polinger’s exquisitely lensed, propulsively edited, and impeccably acted bullying drama amplifies all-too-familiar adolescent anxieties into the stuff of nerve-fraying horror. And yet for all of its aesthetic prowess, it’s The Plague’s psychological acuity and emotional authenticity that makes it an experience that’s impossible to shake.
Supported by
Media Partner
Everett Blunck, Joel Edgerton, Kayo Martin
USA
2025
English
At International Village
At The Rio
Book Tickets
Credits & Director
Producer
Joel Edgerton, Lizzie Shapiro, Lucy McKendrick, Steven Schneider, Roy Lee, Derek Dauchy
Screenwriter
Charlie Polinger
Cinematography
Steven Breckon
Editor
Henry Hayes, Simon Njoo
Original Music
Johan Lenox
Charlie Polinger
Charlie Polinger is a New York–based filmmaker whose feature film debut is The Plague (2025). His second feature, The Masque of the Red Death, will be produced by A24 and Picturestart, and goes into production later this year.
Filmography: A Place to Stay (2018); Sauna (2018); Fuck Me, Richard (2023)
Missing VIFF? Check out what's playing at the VIFF Centre
The Grapes of Wrath
In this Film Studies workshop, Devan Scott explores the purposes of three-point lighting and the influence of German Expressionism on Hollywood studio filmmaking. Followed by a screening of The Grapes of Wrath, photographed by Gregg Toland.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...