Canadian Premiere
Set in the remote plains of rural Armenia, Maria Rigel’s striking sophomore feature takes us into the lives of young Hayk and his aunt Narine, who takes care of the quiet boy in the absence of his troubled mother. Isolated and often bullied by local punks, Hayk finds comfort in the horses he helps care for at his aunt’s farm. When his mother suddenly reappears in their lives, things are thrown off balance as the rebellious young woman refuses to observe the social customs of the conservative community.
While sparse in dialogue, the film lays out an eloquent visual and tonal palette made of carefully composed naturalistic shots that often catch characters between lines of sight, from the back, over the shoulder, in the shadows, and almost always in motion. Rigel builds on the tradition of contemporary social realist cinema with a fresh and singular infusion of a culturally distinct grammar that solidifies her standing as a bold new voice from the region.
Media Partner
Albert Babajanyan, Lusine Avanesyan, Annika Abrahamyan
Armenia
2025
In Armenian with English subtitles
Book Tickets
Credits & Director
Producer
Ernest Bagdasaryan, Maria Rigel, Gala Minasova
Screenwriter
Maria Rigel
Cinematography
Ayrat Yamilov
Editor
Aleksey Shevchenko
Original Music
Steve Brand
Maria Rigel
Maria Rigel was born in 1993. In 2015, she graduated from Moscow State University, Faculty of Philology, and in 2017 received her master’s degree at the Russian State University of Cinematography. In 2022, she moved to Armenia, where she works as a director and producer in the EMA production film company. Her debut The Dream is Gone (2021) was presented at the Shanghai International Film Festival, Lucania Film Festival, Salón Internacional de la Luz, Vittorio Veneto Film Festival, and Cottbus Film Festival.
Filmography: The Dream is Gone (2021)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
