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Cartografía film image; person holding a bundle of red tape

Cartografía

North American Premiere

At the astrological intersection of Venus and the Midheaven, Sophie, Amor, and Dahlia navigate love, art, and beauty. As Sophie prepares to say goodbye to her grandmother, ghosts offer encounters with the sacred, the cinematic, and the unseen.

Making its world premiere at VIFF, Marinthia Gutiérrez Velazco (She Stays, MODES 2024) returns with an unapologetically nostalgic, sentimental, and unabashedly self-aware portrait of letting go and honouring one’s elders. Cartographía connects the mystical through time and roots it in a pre-destined place — an intuitive self-portrait and geographic exploration of Gutiérrez Velazco’s own astro-cartography line (which crosses her hometown of Los Angeles). With each version of herself comes a distinct relationship with the city and her art, and each version shares an unavoidable fate: the passing of her grandmother.

Director
Cast

Sophie Yukimi Gorai, Dahlia Elkan, Aitza Gutiérrez Velazco, Mira Takamura, Angélica Garcia, Melissa Schade

Credits
Country of Origin

Mexico

Year

2026

Language

In English and Spanish with English subtitles

Film Contact
Links
18+
17 min
Art, Music & Photography Documentary Experimental & Avant Garde Family Relations Shorts Women Directors
Peonía Cine

This short is featured in:

Cartografía film image; person holding a bundle of red tape

MODES 3

Interior worlds reveal wisdom, intuitive connections, the esoteric, and death. Or is it liberation? A bid to commune with the feminine, other realms, and ghosts.

 

Book Tickets

Credits & Director

Producer

Marinthia Gutiérrez Velazco

Screenwriter

Marinthia Gutiérrez Velazco

Cinematography

Lucia Rinaldi

Editor

Marinthia Gutiérrez Velazco

Original Music

Myuné, Rob

Marinthia Gutiérrez Velazco headshot

Marinthia Gutiérrez Velazco

Marinthia Gutiérrez Velazco (she/her) is a filmmaker from Tijuana, Mexico, based in Los Angeles, California. Her debut short film, She Stays (Ella se queda), premiered at La Semaine de la Critique at Cannes in 2024. Her first feature-length screenplay, Nabor (2025), a film inspired by her maternal grandmother’s adolescence, was selected for La Residencia – FICCI and Next Step – Semaine de la Critique.

MODES

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