The queer story of St. Sebastian is made even queerer, as seven performers restage his life inside the National Gallery.
Ming Wong , bones tan jones, Max Percy, Luka Vardiashvili, Jacqui Bardelang, Duane Nasis
UK
2026
In Latin with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Samantha Wolf
Screenwriter
Ming Wong
Cinematography
Liam Morgan BVK
Editor
Kent Chan, Ming Wong
Original Music
Christopher Schlechte-Bond
Ming Wong
Ming Wong is a Berlin-based artist whose work contends with cinema and popular culture to consider how identity is constructed, reproduced, and circulated. Recent shows include Dream Factory: Cantopop Mandopop 1980s–2000 (Chinese Canadian Museum, Vancouver, 2025), AUUUUDITORIUM (Rockbund Art Museum, Shanghai, 2024), Rhapsody in Yellow (Esplanade, Singapore, 2024), and Signals: How Video Transformed the World (Museum of Modern Art, New York, 2023). Wong was the 2025 Artist-in-Residence at the National Gallery in London, where he shot and premiered Dance of the Sun on the Water (2026).
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.