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Let Them Be Seen film image; three people in a field of tall grass

Let Them Be Seen

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Canadian Premiere

In Let Them Be Seen, South African filmmaker Nolitha Refilwe Mkulisi returns to her home of Tapoleng — a small town in South Africa’s Eastern Cape where churches once gave residents sanctuary under apartheid. Mkulisi has come back to see what has taken root since that era, finding the region still marked by missionary influence. However, this film is not about the church as an institution; instead, it’s about the ability of a community to remake faith when old systems no longer hold.

Shot with phones, digital video, and DSLRs, Mkulisi’s feature debut moves according to its own strange rhythm, passing through spaza shops, homes, fields, Rastafarian conversations, and a Jam Alley reenactment that feels like a dream remembered in public. The film does not explain Tapoleng from the outside — it lets the town speak through ritual, humour, and everyday life. World premiering in IFFR’s Bright Future section before screening at the BlackStar Film Festival, Let Them Be Seen is an absurdist village portrait about being seen on your own terms.

Content Considerations: Racism, flashing/strobing lights

 

Best Documentary, Joburg 2026

 

Community Partner

     

Director
Featuring

Fresh Daabuza, Sindiswa Ngendane, Lieketseng Martins, Keneiloe Molale, Thandeka Singiselo, Magaret Ngendane

Credits
Country of Origin

South Africa/Germany

Year

2026

Language

In English, Xhosa, and Southern Sotho with English subtitles

Film Contact
18+
74 min
Art, Music & Photography Award Winners Documentary Experimental & Avant Garde Women Directors
Brown Flamingo Productions

Book Tickets

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Credits & Director

Producer

Nolitha Refilwe Mkulisi, Shveta Naidoo, Evan Wigdorowitz, Julie Nxadi, Blair Smith

Cinematography

Siyasanga Gibson, Nolitha Refilwe Mkulisi

Editor

Sabrina Rücker

Original Music

Gugulethu Duma

Nolitha Refilwe Mkulisi headshot

Nolitha Refilwe Mkulisi

Nolitha Refilwe Mkulisi is a South African filmmaker based in Berlin who works in both fiction and documentary forms. Her films explore sociological and psychological behaviour through formal constraints, objects, and environments, moving between realism and abstraction. Her feature Let Them Be Seen (2026) premiered at International Film Festival Rotterdam and won Best Documentary at the Joburg Film Festival. Mkulisi is an alumna of Berlinale Talents and the Locarno Residency, and received the Hubert Bals Fund for her debut fiction feature, which is currently in development.

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