Rita (Carrie Coon), a woman haunted by the weight of her past, encounters Ricki (Lily James), a magnetic, manipulative spiritual leader, and abandons her family to follow the persuasive guru to an all-female commune. But when her daughters Ella (Bella Ramsey) and Jo (Odessa Young) arrive unexpectedly and become drawn into the group’s seductive world, Rita is forced to choose between the family she left behind and the life she believes can save her.
Drawing on his grandmother’s experiences as a Holocaust survivor, director Guy Nattiv crafts a gripping and psychologically complex account of the ends one might go to in a bid to liberate themselves from trauma and experience a semblance of salvation. Featuring an absolutely riveting performance from Coon, The Liberation is an unsettling yet deeply empathetic thriller that explores the themes of personal freedom, devotion, and control to devastating effect.
Sit down with Carrie Coon at her VIFF Talk, The Close-Up: In Conversation with Carrie Coon, on Oct 4.
Supported by
Carrie Coon, Lily James, Bella Ramsey, Odessa Young, Tracy Letts, Jaime Ray Newman
USA
2026
English
Book Tickets
Sunday October 04
Indigenous & Community Access
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Credits & Director
Executive Producer
Daniel Bekerman, Jordan Hart, Neil Mathieson, Leonid Lebedev, Jessica Lacy, Andrew Karpen, Kent Sanderson, Ben Ross, Rami Yasin, Bryan Meng, Terence Chan
Producer
Julia Lebedev, Eddie Vaisman, Oren Moverman, Jaime Ray Newman, Guy Nattiv
Screenwriter
Guy Nattiv, Noa Berman Herzberg
Cinematography
Tudor Vladimir Panduru, Fabian Gamper
Editor
Yuval Orr, Sabine Hoffman
Production Design
Brian Kane
Original Music
Dascha Dauenhauer
Guy Nattiv
Guy Nattiv is an internationally acclaimed writer, director, and producer. His work includes SKIN, the Academy Award-winning short film and its FIPRESCI Prize-winning feature adaptation, GOLDA starring Helen Mirren, and TATAMI, which premiered at Venice and was acclaimed as a landmark collaboration.
Filmography: Skin (2018); Golda (2023); Tatami (2023)
Photo by Matt Kalish
Galas & Special Presentations
See more films in this series
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
Tender Loving Care
Mike Leigh’s film depicts the lives of Amy and Rosie, best friends and fellow social workers, who care for the dispossessed with all the strength they have. Sometimes it's funny, tragic, and often it's balancing both, this is a work of humble compassion.
The Only Living Pickpocket in New York
A career thief’s circumstances grow desperate when he fences valuable merchandise stolen from a vengeful crime family. John Turturro is exquisite as a wiseacre who is typically one step ahead of everyone but now finds himself behind the eight ball.
Fjord
A conservative family faces state scrutiny over their parenting in a progressive Norwegian town. Starring Sebastian Stan and Renate Reinsve, Cristian Mungiu’s Palme d’Or–winning Fjord is a morally knotty drama about the limits of tolerance.
Whatcha Want
Whatcha Want, a hip-hop-infused drama from award-winning Vancouverite Mina Shum (Meditation Park), sees a restless trophy wife from Hong Kong rise above her wealthy husband’s infidelity by rekindling her passion for dance.
Club Kid
A hedonistic New York club promoter gets an unexpected wake-up call when the 10-year-old son he never knew existed enters his life. Jordan Firstman’s charming, funny debut Club Kid is an offbeat story of parenthood, redemption, and unexpected bonds.
The Debut
In Jesse Eisenberg’s utterly outlandish yet emotionally honest sendup of the theatre world, a meek novice (Julianne Moore) is cast in a local musical and falls under the sway of the “biggest name in New Jersey community theatre” (Paul Giamatti).
Minotaur
Russia, 2022. While contending with the fallout of the Russian invasion of Ukraine, a corporate executive tries to insulate his home life from the consequences of the war. But when he discovers that his wife has been unfaithful, things start to implode.
Fatherland
Nobel laureate Thomas Mann returns to postwar Germany alongside his fiercely loyal daughter Erika. Winner of Best Director at Cannes, Paweł Pawlikowski's drama is a piercing study of complicity, family fractures, and the impossibility of true homecoming.
Your Mother Your Mother Your Mother
When his wife passes suddenly, a devout assassin (Mahershala Ali) is thrust into single parenthood and set on a collision course with a far-right faith leader (John Cho) and his militia. A dizzyingly choreographed, deeply soulful action thriller.
Image: © Jaclyn Martinez
I Play Rocky
In 1975, a broke, unknown actor named Sylvester Stallone bet everything on the screenplay he wrote — with himself attached to star. I Play Rocky tells the improbable story behind one of Hollywood's greatest underdog stories.
Image: © Courtesy of Elevation Pictures
The Liberation
Haunted by her past, Rita (a magnificent Carrie Coon) is lured to an all-female commune by a magnetic, manipulative spiritual leader (Lily James). An unsettling yet deeply empathetic exploration of personal freedom, devotion, and control.
Image: © Bleecker Street
Paper Tiger
An engineer and his brother fall prey to a dangerous mob scheme in 1986 Queens. James Gray’s Paper Tiger is a tense crime drama about family, loyalty, and the price of ambition. Starring Adam Driver, Miles Teller, and Scarlett Johansson.
All of a Sudden
An eldercare manager (Virginie Efira) forms a life-changing bond with a terminally ill playwright (Tao Okamoto) in Ryûsuke Hamaguchi's All of a Sudden, a tender, philosophically rich meditation on mortality, care, and what we owe one another.
Bitter Christmas
Pedro Almodóvar’s latest confection is a mischievously meta mea culpa, a bifurcated comedy about the perils of autofiction: A blocked writer-director borrows liberally from the lives of friends without so much as a by your leave.
Coward
With the First World War raging, two young Belgian soldiers develop an explosive chemistry while serving in their company’s theatre troupe . Coward is a reminder that transformative moments of tenderness can occur even amid the darkest circumstances.
Rose
Claiming to be the heir to a patch of German farmland, a disfigured soldier ignores the townsfolk’s suspicions, cultivates the land, and takes a wife, all while concealing that they were born a woman. Featuring a mesmerizing Sandra Hüller performance.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Look Back
Schoolgirls Fujina and Kyomoto find success creating manga together, until one day a rift occurs… Taking us from triumph through tragedy and out the other side, Look Back has all the grace and tenderness director Kore-eda Hirokazu is famous for.
A Long Winter
Based on a short story by Colm Toibin and set in the Rockies in the 1950s, the latest from All of Us Strangers director Andrew Haigh is a piercing emotional drama about a family facing hardships over a few months in a cabin far above town.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes.
Wild Horse Nine
Shortly before the 1973 Chilean coup, CIA agents Chris (John Malkovich) and Lee (Sam Rockwell) are dispatched to Easter Island by their bureau chief, MJ (Steve Buscemi). There, the longtime partners wrestle with their dark pasts and present conspiracies.
