What's On
Art of the Cut: Matthew Hannam
Editor Matthew Hannam revisits his process and collaborative approach on his most iconic films including Sean Durkin’s The Iron Claw and Halina Reijn’s Babygirl to Noah Baumbach’s White Noise.
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
Smudge the Blades
This rousing hockey drama centres on the Treaty 6 Blades, a team of Indigenous youth on a quest for redemption. Blessed with a terrific cast, this is a crowd-pleaser in which victory is about much more than winning the game.
The Ballad From Wednesday to Thursday
As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.
Image: © Montell Taraschewski_Monte Kalk Film
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.
Short Forum 3: Workers of the World
The grind of the working class in a system that betrays its promises.
Freaks Part II
Freaks Part II follows Mary and her daughter Chloe as they flee the Abnormal Defence Force through a country where those with powers are hunted and identified through telltale blood-red tears. A tense, emotionally grounded second chapter.
Image: © Kailey Schwerman - Elevation Pictures
In the Heart of the South
In the Heart of the South, from the director of Slash/Back, brings North of North co-stars Anna Lambe and Zorga Qaunaq together for a propulsive, psychological meta-thriller about an Inuk multimedia writer possessed by her own narrative.