What's On
The Story of Documentary Film – The 2000s
The Story of Documentary Film – The 2000s enters a decade shaped by 9/11, war, fear, and politics. Through films such as The Cove and Grizzly Man, these chapters trace the documentary medium's encounter with modernity as it begins to unravel.
Image: © Iraq in Fragments, 2006, dir. James Longley, USA, Daylight Factory Typecast-Pictures
Vengeance Is Mine
Michael Roemer’s Vengeance Is Mine follows Jo, a troubled young woman returning to her Rhode Island hometown to confront childhood wounds. An attempt to confront one family's past gradually becomes entangled with another family's dysfunction.
We Are All Strangers
Anthony Chen tells the soulful story of a father and son in contemporary Singapore, each of whom gets married for very different reasons. This is a film about the human cost of poverty — poignant, relatable, and profound.
Man in Motion: Celebrating Rick Hansen
Coinciding with the 40th anniversary of the Man in Motion World Tour, friends from across the country will join Rick Hansen for the hometown premiere of Man in Motion: The Rick Hansen Story. Following the screening, Rick will be joining us on stage for an extended Q&A.
I Understand Your Displeasure
This intense realist drama stars Sabine Thalau as Heike, the underpaid, stressed-out manager of a cleaning crew. The non-professional actor portrays the hardship of labour so well that every breath, every arduous movement registers its cost on her soul.
Image: © Wenn Dann Film
The KLF: 23 Seconds to Eternity
VIFF presents the collected films and music videos of one of the most enigmatic and iconoclastic electronic bands of the 90s: The KLF. Preceded by a live AV performance from Vancouver electronic duo CHXMERAS.
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
Take Me Home
Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.
Image: © FarhadAhmedDehlvi
The Diary of a Chambermaid
Radu Jude adapts Octave Mirbeau’s classic (and much-filmed) novel in a uniquely Jude fashion, with our oppressed chambermaid prodded by her smug employers to star in a production of... Diary of a Chambermaid. This is a sly and subversive satire.