Juan José Campanella’s adaptation of Eduardo Sacheri’s novel winds back through the past to unravel a brutal crime, in the process taking a good, hard look at the legal system.
Campanella (who also wrote the screenplay) frames the story in flashbacks, as a retired government lawyer reworks a book about a case that still bothers him, 25 years after the rape and murder of a beautiful young bride. Benjamin (Ricardo Darin) takes his manuscript to Irene (Soledad Villamil), who is now a judge, but who was his boss back then. She is reluctant to revisit those days for reasons both personal and political…
At first the case is closed too soon by a judge more mindful of crime stats than justice, while the key suspect hovers just beyond reach. It is the commitment of the victim’s widower that inspires Benjamin, when he happens to bump into him a year later, staking out a commuter station as he says he does every morning, waiting and praying for the time when the murderer crosses his path. The young lawyer is struck not just by this man’s anger, but by his devotion to the memory of his wife. He wonders if the system doesn’t owe him more, and in convincing Irene that it does he opens her eyes to his own unspoken ardor.
Campanella lays it out carefully and patiently, and the performances are so good, and the writing is strong enough, that the movie commands our attention. It draws you in and envelopes you in the dynamics of the characters.
Talking Pictures is a monthly matinee series catering to the 55+ community. Patrons are encouraged to stay and chat about the movie and enjoy coffee and cookies on the house. Tickets are only $12, or two for $20.
The wonder is that the film balances its many genres, from the thorns of murder to the bloom of romance to the thickets of politics, with such easy grace. 4/4
Rick Groen, Globe and Mail
This beautiful film, directed with subtlety and grace by Juan José Campanella, really is about moving from fear to love.
Joe Morgenstern, Wall Street Journal
Secret is bound to linger in the memory for years.
Betsy Sharkey, LA Times
Juan José Campanella
Ricardo Darín, Soledad Villamil, Pablo Rago
Argentina
2009
In Spanish with English subtitles
Academy Award, Best Foreign Language Film
Book Tickets
Tuesday October 27
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Eduardo Sacheri, Juan José Campanella
Cinematography
Félix Monti
Editor
Juan José Campanella
Original Music
Federico Jusid
Also Playing
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Saving Private Ryan
Steven Spielberg's gripping war movie was hailed as an instant classic in 1998, and he won his second Academy Award in five years for Best Director. Matt Damon takes the title role, Tom Hanks is charged with bringing him home from the front.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
