North American Premiere
Over time, the routines of Abhi, a young urbanite living in Mumbai, and Deepa, his housekeeper, intertwine.
Zoya Shabana Khan, Manik Papneja, Mahi Girish Bhanushali, Yaashi Agarwal, Vipul Chanda, Asif Ali
India
2024
In Hindi, English and Marathi with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Pallavi Singh
Producer
Kedhhar Barrve, Surya Balakrishnan
Screenwriter
Deepanshu Mallik
Cinematography
Manoj Karmakar
Editor
Navtika Sharma, Abhro Banerjee
Production Design
Trupti Chavan
Original Music
Shubham Shirule
Surya Balakrishnan
Surya Balakrishnan is a filmmaker and co-founder of Footloose Films, a Mumbai-based advertising production house. A graphic design graduate and NYFA alum, Balakrishnan recently directed two episodes of the critically acclaimed Amazon Original Khauf. Her debut feature documentary, Amarkatha (2025), is an eco-political film set in Kashmir that explores the complexities of the Amarnath pilgrimage. A format-agnostic by choice, Balakrishnan gravitates toward stories that gently urge us to care.
Missing VIFF? Check out what's playing at the VIFF Centre
The Gymnasts of Fisherman Colony
The Gymnasts of Fisherman Colony follows a group of young female gymnasts in Pakistan's Machar Colony, a highly conservative fishing settlement. Habiba Nosheen's deeply empathetic documentary is a celebration of girlhood, resilience, and self-expression.
Midnight Momo
Kunga, a waiter at a Queens momo shop, finds himself trapped in a loop of the final minutes of his shift. Midnight Momo is a frenetic, distinctly Tibetan American indie comedy that puts a working-class spin on the Buddhist cycle of suffering and rebirth.
Tangles
Based on the graphic memoir by Vancouver artist Sarah Leavitt, Tangles is a stunning, hand-drawn animated feature about a cartoonist coming to terms with her mom’s early-onset Alzheimer’s diagnosis. Nominated for the Caméra d’Or at Cannes 2026.
Death Has No Master
When Caro returns to Venezuela to sell her late father’s cacao plantation, she finds the family mansion occupied by its former staff, who have no intention of leaving. After legal action proves ineffectual, Caro decides to dispense justice herself.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.