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Nobody's Violence film image; woman looking wide-eyed at something

Nobody's Violence

Violence du corps de l’autre

Panorama

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Mira (Larissa Corriveau) works for a mysterious organization that facilitates euthanasia requests, led by her charismatic, hedonistic boss Ludo (Philippe Rebbot). Traveling from client to client in a world where death has quietly become a business, she is silent and seemingly impervious to the weight of her work. However, after crossing paths with the free-spirited Pierric (Xavier Bergeron), she begins questioning her purpose.

Moving fluidly between sci-fi parable, conspiracy thriller, and surreal comedy, Denis Côté’s Nobody’s Violence is an unpredictable, atmospheric tale anchored by a remarkable performance from Corriveau. Côté embraces the film’s restless energy, creating a world both eerie and playful and filled with unexpected shifts in tone that keep the viewer constantly off balance. Corriveau is compelling as Mira, bringing an enigmatic intensity to a character whose emotional awakening unfolds through subtle shifts in her demeanor. Bold, daring, and unmistakably Côté, Nobody’s Violence is another fascinating entry in the filmmaker’s singular body of work.

 

Community Partner

Director
Cast

Larissa Corriveau, Philippe Rebbot, Xavier Bergeron, Gabrielle Lazure, Pierrette Robitaille, Eve Pressault

Credits
Country of Origin

Canada

Year

2026

Language

In French with English subtitles

Film Contact

H264 Distribution

18+
118 min
Award Winners Drama Experimental & Avant Garde
Voyelles Films

Book Tickets

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Credits & Director

Producer

Guillaume Vasseur, Gabrielle Tougas-Fréchette

Screenwriter

Denis Côté

Cinematography

Vincent Biron

Editor

Terence Chotard

Original Music

Christopher White

Art Director

Marie-Pier Fortier

Denis Côté headshot

Denis Côté

Denis Côté, born 1973 in New Brunswick, was a short-film director, journalist, and film critic before directing his first feature, Drifting States, in 2005. His award-winning films explore themes of solitude and alienation, often through eccentric characters. Curling (2010) won honours at the 63rd Locarno Film Festival and Vic+Flo Saw a Bear (2013) won the Silver Bear for Innovation at the 63rd Berlinale. Highlighted in more than 40 retrospectives worldwide, he was recognized with the Prix Albert-Tessier in 2024, the highest honor in cinema awarded by the Government of Quebec. Nobody’s Violence (2026) is his 17th feature film.

Filmography: That Kind of Summer (2022); Mademoiselle Kenopsia (2023); Paul (2025)

Photo by Vincent Biron

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