North American Premiere
Fourteen years ago, Daniela Magnani Hüller survived an attempted femicide by a schoolmate who had been harassing her. Now a filmmaker, she conducts an autobiographical investigation, revisiting the events leading up to, and surrounding, that fateful incident. With composed detachment, she interviews those who were involved in one way or another: a teacher, a schoolmate, a doctor, a detective, the state prosecutor. As she unearths recollections of this pivotal but distant event, larger questions of responsibility rise to the surface.
The feature debut of German-Brazilian Hüller, Sometimes, I Imagine Them All at a Party is a film of fragments — a dazzling collage of documentary footage, interviews, personal recollections, and archival material. Despite its autobiographical nature, the film navigates a range of tones and perspectives, alternating between bracing intimacy and clinical distance. Both a personal look into the past and an examination of systemic violence against women, this film marks the emergence of a singular new talent.
Oct 9 & 11: Filmmaker Q&A
Supported by
Community Partner

Jean Voltaire, Malik Hall, Wiltavious McKelton, Tavion Jamal Dent, Helen Contento
Germany
2026
In German and Portuguese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Birgit Schulz
Producer
Birgit Schulz
Screenwriter
Daniela Magnani Hüller
Cinematography
Noah Böhm
Editor
Melanie Jilg
Daniela Magnani Hüller
German-Brazilian filmmaker Daniela Magnani Hüller was born in Munich in 1995. Since 2019, she has studied documentary directing at the University of Television and Film Munich, and her short films have screened internationally. Her debut feature, Sometimes, I Imagine Them All at a Party, premiered at the 2026 Berlinale Forum and received several awards, including a Berlinale Special Mention, the Student Award at DOK.fest München, and the German Film Award for Peace – The Bridge.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
