What's On
The Musicians
Brought together to perform a specially commissioned piece, a string quartet of virtuoso musicians descends into squabbling and animosity in this classy French comedy.
Orwell: 2+2=5
Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.
One Battle After Another
PT Anderson's breathless satire is the best political action movie of the year, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
Rebuilding
The western gets climate changed in this gentle, pensive portrait of a modern cowboy (Josh O'Connor) picking up the pieces after losing his Colorado homestead to a wildfire.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Strange Days
Written by James Cameron and directed by Kathryn Bigelow (House of Dynamite), this futuristic film noir, set on the last two days of the millennium, was way ahead of its time.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.