What's On
Reclaim My Skin
A three-part documentary series that challenges stereotypes and authority while celebrating the resilience and resurgence of Indigenous female identity. Reclaim My Skin empowers Indigenous women and their allies with the knowledge of their true history.
Nuisance Bear
Winner of the highly coveted Sundance Grand Jury Prize for Documentary, Nuisance Bear follows a polar bear through Churchill, Manitoba, where the town profits from bears as spectacle while treating their arrival as a problem.
9 Temples to Heaven
A middle-aged businessman leads his family on a one-day religious pilgrimage in the hopes of extending his sickly mother's life. Along the way, conflict brews, painful realizations unfold, and the film transforms into a meditation of faith, love, and duty.
The Bryce Lee Story
A 13-year-old immigrant and aspiring filmmaker falsely claims he's related to Bruce Lee in this Vancouver Island-set film. The Bryce Lee Story is a heartfelt coming-of-age tale about identity, family, and the search for belonging.
Revolutionaries Never Die
Revolutionaries Never Die is Mohanad Yaqubi’s reply to Jocelyne Saab, who passed away before the two could collaborate. Yaqubi's film serves as equal parts tribute, conversation, and partnership with the revolutionary past.
Ugly Cry
When her ugly cry costs an aspiring actor her dream role, she takes desperate measures in pursuit of perfection. A cheeky injection of dark humour and delirium, this genre-bending psychological thriller takes a clever jab at internet-age beauty standards.
Mouse
Fans of Lady Bird, meet Mouse. This intimate, grounded drama by Kelly O’Sullivan and Alex Thompson (Saint Frances) sees a shy teen form a complicated bond with her best friend’s mom after tragedy strikes in the summer before her senior year.
Image: © Nate Hurtsellers and Luke Dyra
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
Death Has No Master
When Caro returns to Venezuela to sell her late father’s cacao plantation, she finds the family mansion occupied by its former staff, who have no intention of leaving. After legal action proves ineffectual, Caro decides to dispense justice herself.
Lifeline
When a Somali youth worker is assigned a high-stakes case, her professional responsibilities pull her back toward a community — and a past — she has worked to leave behind. Lifeline is an intimate exploration of belonging and responsibility.