What's On
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Shrek (Halloween Family Show)
The grumpy green ogre turned 25 this year. Come celebrate one of the milestone movies for millennials. This is an all-ages show!
The Thing (1982)
Filmed in BC, John Carpenter's 1982 horror classic is a bone fide arctic chiller. American Antarctic researchers come across a burned-out Norwegian base — and the buried UFO which may be linked to the carnage.
Shrek Cabaret
Dig out your greenest glad rags to celebrate Shrek. Before the movie, enjoy the ale of your choice at the Shrek Cabaret: expect songs, gags, acrobat princesses, a juggling Pinocchio, maybe even a talking ass... uh, donkey. It's a fairy tale come true!
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
Strangers on a Train
Sociopath Charles Bruno (Robert Walker) strikes up a conversation with star tennis player Guy Haynes (Farley Granger) and makes him a gentleman's proposition: Bruno will kill Guy's unloved wife, on the understanding that he will return the favour.
The Wrong Man
One of Hitchcock's most underrated films, The Wrong Man returns to one of his most common themes, the innocent man falsely accused, but the treatment here is stark and soul-searching. Intro by Michael van den Bos (Monday only).
Meet Me In St. Louis
Vincente Minnelli's heartwarming evergreen chronicles an ordinarily tumultuous year in the life of a prosperous household in 1904. It's debatable that MGM ever conjured a more affecting musical.