What's On
The Mortal Storm
In this explicity anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Strangers on a Train
Sociopath Charles Bruno (Robert Walker) strikes up a conversation with star tennis player Guy Haynes (Farley Granger) and makes him a gentleman's proposition: Bruno will kill Guy's unloved wife, on the understanding that he will return the favour.
The Wrong Man
One of Hitchcock's most underrated films, The Wrong Man returns to one of his most common themes, the innocent man falsely accused, but the treatment here is stark and soul-searching. Intro by Michael van den Bos (Monday only).
Meet Me In St. Louis
Vincente Minnelli's heartwarming evergreen chronicles an ordinarily tumultuous year in the life of a prosperous household in 1904. It's debatable that MGM ever conjured a more affecting musical.