Kubrick’s final film is a droll, furtive dream of sex and infidelity, probably the weirdest film in Tom Cruise’s filmography. Loosely based on Arthur Schnitzler’s Traumnovelle, it’s a film about a Manhattan doctor whose complacent beliefs about his marriage to Alice (Nicole Kidman) are shaken when she admits to having fantasized about another man. It’s a peculiar film which continues to inspire polarized opinion and close interpretation, yet it exerts a strong fascination.
Staff Pick: Nate
Kubrick’s great achievement in the film is to find and hold an odd, unsettling, sometimes erotic tone for the doctor’s strange encounters. Shooting in a grainy high-contrast style, using lots of back-lighting, underlighting and strong primary colors, setting the film at Christmas to take advantage of the holiday lights, he makes it all a little garish, like an urban sideshow. Dr. Bill is not really the protagonist but the acted-upon, careening from one situation to another, out of his depth. Kubrick pays special attention to each individual scene. He makes a deliberate choice, I think, not to roll them together into an ongoing story, but to make each one a destination—to give each encounter the intensity of a dream in which this moment is clear but it’s hard to remember where we’ve come from or guess what comes next.
Roger Ebert
Media Partner
Stanley Kubrick
Tom Cruise, Nicole Kidman, Sydney Pollack, Todd Field, Leelee Sobieski, Marie Richardson
USA/UK
1999
English
Book Tickets
Sunday August 23
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Stanley Kubrick, Frederic Raphael
Cinematography
Larry Smith
Editor
Nigel Galt
Original Music
Jocelyn Pook
Production Design
Les Tomkins, Roy Walker
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
The Big Lebowski
The Coens' whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back...
Out of Sight
Adapted from Elmore Leonard's novel about the mutual attraction between an escaped bank robber and the FBI agent on his tail, Out of Sight is sexy and romantic, cosmopolitan, and full of Soderbergh's sleight of hand, shuffling time like a card sharp.
Buffalo '66
Vincent Gallo's directorial debut is an eccentric, provocative comedy which laces a poignant love story with both a sombre, washed-out naturalism and surreal musical vignettes. This one is something different...
Run Lola Run
In the hyper intense world of pre-millennial Berlin, Lola has just 20 minutes to come up with a 100,000 Deutchmarks or her boyfriend cops it. He's asking the right woman: Lola won't stop til she's saved the day... It's Speed, in the multiverse...
Rushmore
Precocious Max Fischer (Jason Schwartzman) is befriended by depressed industrialist Harold Blume (Bill Murray) until they both fall in love with first grade teacher Miss Cross (Olivia Williams). Anderson's second feature is an old favourite.
Saving Private Ryan
Steven Spielberg's gripping war movie was hailed as an instant classic in 1998, and he won his second Academy Award in five years for Best Director. Matt Damon takes the title role, Tom Hanks is charged with bringing him home from the front.
The Blair Witch Project
The rushes of a student-made documentary investigating the legend of the Blair Witch in Burkittsville, Maryland, a quest that led the three filmmakers deep into the Appallachian woods. Easy to get lost in there...
The Thin Red Line
After a 20-year hiatus, Terrence Malick re-emerged with this earching adaptation of James Jones's autobiographical novel about the WWII battle of Guadalcanal. The Thin Red Line is a lyrical, meditative war movie, a philosophical discourse on war itself.
The Matrix
Can a computer hacker save the world? Maybe if you hack deep enough... One of the most influential movies of the past quarter-century. The Matrix didn't just change the way films looked and moved, it altered the way we perceived the world(s).
Lessons of Darkness
Werner Herzog's unforgettable documentary reveals the unfolding disaster of the Kuwaitian oil fields in flames in 1991 as a sweeping inferno of mesmerizing power.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Beau Travail
Inspired by Herman Melville's Billy Budd, Claire Denis' transfixing Beau Travail is set in East Africa. Sgt Galoup (Denis Lavant) reflects on his time in the French Foreign Legion, and the impact of the handsome Sentain (Gregoire Colin).
Three Kings
George Clooney headlines David O Russell's bold, brazen attempt to get to grips with the immediate aftermath of Operation Desert Storm, as 4 US soldiers try to liberate a missing shipment of gold amidst the chaos and carnage.
But I'm a Cheerleader
Megan (Natasha Lyonne) is the perfect All-American Girl, or so she thinks. That is until she’s shipped off to conversion therapy. This pitch black comedy is wrapped in a saccharine bow, featuring the icon herself, RuPaul, as a conversion counsellor.
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.