Four Weddings and a Funeral

Mike Myers' Canadian roots show through in this smart faux dumb American headbanger comedy directed by Penelope Spheeris (Decline of the American Empire). You'll laugh, you'll cry, you'll hurl!

Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.

Coppola's woozy, cinematically audacious take on the vampire myth is like a symphonic silent movie in full colour, a delirium of romantic angst with Gary Oldman as the shape-shifting immortal.

In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.

A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.

The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.

If you haven't seen Groundhog Day that must be rectified immediately. Bill Murray is at his best as the TV weatherman stuck in a purgatory that might just be paradise.

Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.

Catch Chen Baker covering canto-pop classics and songs from Chungking Express prior to a screening of Wong Kar-Wai's breakthrough movie, a melancholy masterpiece of romantic longing from the Hong Kong new wave.

The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.

Divorced by his beautiful French wife, Karol returns to his native Poland and schemes to win back his self-respect in Kieslowski's spry black comedy.

In this sexy neo-noir thriller, Linda Fiorentino has a blast playing one of the most amoral women in film history -- and one of the most exciting.

John Waters' killer comedy features an uproariously funny, marvellously malicious performance from Kathleen Turner as a housewife with impeccable manners and very handy with a kitchen knife.

One of the most acclaimed films of the 90s, Steven Spielberg's adaptation of Thomas Keneally's Schindler's Ark is the story of a German industrialist whose conscience is stirred to save his Jewish workers from the camps.

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Frank Darabont's directorial debut is an engrossing, slow burn prison drama with stellar turns from Tim Robbins and Morgan Freeman. It's a firm fan favourite.

Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.

Chungking Express is a fluid, poetic, almost throwaway film set in Hong Kong's edgy Chungking Mansions district, and comprising two simple, short story-like through-lines, both involving forlorn cops.

Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.

With its beautifully drawn East African setting, its humour, pathos, and engaging characters, as well as its stirring songs, The Lion King stands as the pinnacle of traditional Disney family entertainment.

Image: © Disney, 1994

Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.