Novelist turned Roger Corman screenwriter (Alligator) turned indie auteur (Return of the Secaucus Seven; City of Hope; Matewan), John Sayles has enjoyed a long and distinguished career on the margins of the industry. In 1996, Lone Star proved to be one of his most successful movies, a modern day Western which is also a murder mystery, set in Frontera, Texas. When a skeleton is discovered on the edge of town, sheriff Sam Deeds (Chris Cooper) reluctantly concludes that it’s the corpse of a predecessor, corrupt lawman Charlie Wade (Kris Kristofferson), supposedly run out of town by Sam’s own father Buddy (Matthew McConaughey) 40 years previous. But who put the bullet hole in his cranium?
The investigation opens up old wounds, both personal, and political. Indeed, Sayles’ scope is vast, giving this relatively low budget movie an epic import.
The film is both timeless and specifically of its era (particularly in the border crossing scenes conceived and shot before the wall that eventually went up in Sayles’ location), a complex consideration of cultural conflicts and generational divides that seem hardwired into the American consciousness. A great American epic.
Jim Hemphill, IndieWire
Epic cinematic poetry. It’s resplendent with border-town atmosphere, heated by torrid weather and searing emotions.
Philip Wuntch, Dallas Morning News
John Sayles’ Lone Star contains so many riches, it humbles ordinary movies. And yet they aren’t thrown before us, to dazzle and impress: It is only later, thinking about the film, that we appreciate the full reach of its material.
Roger Ebert
Media Partner
John Sayles
Chris Cooper, Matthew McConaughey, Kris Kristofferson, Elizabeth Pena, Joe Morton, Stephen Mendillo, Frances McDormand
USA
1996
English
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Credits
Producer
R. Paul Miller, Maggie Renzi
Screenwriter
John Sayles
Cinematography
Stuart Dryburgh
Editor
John Sayles
Original Music
Mason Daring
Production Design
Dan Bishop
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
Unforgiven
Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.
Malcolm X
In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.
Schindler's List
One of the most acclaimed films of the 90s, Steven Spielberg's adaptation of Thomas Keneally's Schindler's Ark is the story of a German industrialist whose conscience is stirred to save his Jewish workers from the camps.
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Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
The Lion King
With its beautifully drawn East African setting, its humour, pathos, and engaging characters, as well as its stirring songs, The Lion King stands as the pinnacle of traditional Disney family entertainment.
Image: © Disney, 1994
To Die For
Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.