Canadian filmmaker Norman Jewison (In the Heat of the Night) was originally attached to direct this adaptation of Arthur Hailey’s biography, but when Spike Lee suggested in the media that a Black director should do it, Jewison and his producers took a meeting with the Do the Right Thing sensation and became convinced he was right. Denzel Washington — who had played Malcolm on stage ten years before and who had just made Mo Better Blues with Lee — was the ideal choice for the title role, and paints not only a precise portrait of the charismatic leader familiar from newsreels, but a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America. Lee insisted on an epic canvas and sought to emulate the scope he admired in the films of David Lean (Lawrence of Arabia; The Bridge on the River Kwai). He even hit up Black celebrities (Oprah, Prince, Michael Jordan) for donations when the budget ran out. His efforts and their faith were more than justified. The film stands as a powerful testament to the man and his times.
One of the great American films not only of the decade but the century… Spike Lee poured everything he had learned about cinema, politics, behavior and culture into one 201-minute Molotov cocktail of epic filmmaking. An eloquent and intimate character study as well as a sweeping portrait of America in the second half of the 20th century.
Jim Hemphill, Indiewire
Spike Lee’s Malcolm X is one of the great screen biographies, celebrating the whole sweep of an American life that began in sorrow and bottomed out on the streets and in prison before its hero reinvented himself. Watching the film, I understood more clearly how we do have the power to change our own lives, how fate doesn’t deal all of the cards. The film is inspirational and educational – and it is also entertaining.
Roger Ebert
Spike Lee
Denzel Washington, Spike Lee, Angela Bassett
USA
1992
English
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Credits
Producer
Marvin Worth, Spike Lee
Screenwriter
Arnold Perl, Spike Lee
Cinematography
Ernest Dickerson
Editor
Barry Alexander Brown
Original Music
Terence Blanchard
Production Design
Wynn Thomas
Art Director
Tom Warren
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
GoodFellas
The ultimate crash and burn movie, Scorsese's exhilarating gangster film is infused with the excitement of fast cash, girls, guns and drugs. Yet this brazenly amoral movie also captures the brutality, betrayal, and spiritual void of the criminal world.
Madonna: Truth or Dare
A year in the life of Madonna at the height of her fame, touring Blonde Ambition through 1990. There's concert footage, but the movie is also daringly truthful about life behind the scenes — not that Madonna is every really off-stage.
Pulp Fiction + The ReViberators
In the spirit of Quentin Tarantino, we're going to launch our summer series 90s, Baby! smack in the middle, with 1994's Pulp Fiction, the most exciting and influential movie of its era. On 35mm. Preceded by surf guitar sensations The ReViberators live!
Jacob's Ladder
Ever feel you're losing your mind? Jacob Singer (Tim Robbins) comes back from the Vietnam War with a firefight in his head. Sanity is a losing battle in Adrian Lyne's terrifying psychological thriller.
Reservoir Dogs
Quentin Tarantino announced himself to the world with this ingeniously fractured heist movie, carved into character-centric chapters, riffing breezily on pop culture, but counterpointing all this with blood-soaked intensity.
Total Recall
The master of the subversive blockbuster, Paul Verhoeven concocts a film about corporate mind-control vs. revolutionary uprising by setting it on Mars and allowing for the possibility the whole thing is just an escapist fantasy...
True Romance
Rockabilly comic book clerk Clarence (Christian Slater) meets dream girl Alabama (Patricia Arquette) with trouble in her wake, in this seminal couple on the run thriller from Quentin Tarantino's excitable mind.
The Company of Strangers
In this Canadian gem, seven elderly women find themselves stranded when their bus breaks down in the wilderness. With only their wits, memories and some roasted frogs' legs to sustain them, this remarkable group of strangers share their life stories.
Boyz n the Hood
Twenty-three-year-old writer-director John Singleton's groundbreaking portrait of three young men growing up in South Central is a film of integrity and compassion. It's a far richer portrait of Black lives than Hollywood's gangsta exploitation pics.
Terminator 2: Judgment Day
In 2029, Earth has been ravaged by the war between the malevolent artificial intelligence Skynet and the human resistance. (Yep.) James Cameron's all too relevant action movie is in some ways unsurpassed. Linda Hamilton is the mom we all need right now.
Thelma & Louise
In this iconic feminist road movie BFF Geena Davis and Susan Sarandon take off for a weekend getaway that turns violent when one of them is attacked. The stakes get higher as they flee the scene. Winner: Best Original Screenplay (Callie Khouri).
Julio Avila Cuban Band Live + The Mambo Kings Film Screening
Feel the heat! Shake your booty as we combine a live set of exhilarating Cuban music followed by a rediscovered 90s barnstormer of a movie starring Latin heartthrobs Armand Assante and Antonio Banderas alongside the likes of Tito Puente and Celia Cruz.
The Silence of the Lambs
Hannibal "The Cannibal" Lecter (Anthony Hopkins) gives FBI serial killer hunter Clarice Starling (Jodie Foster) pointers from his maximum security cell. But is he trying to aid the investigation, or just messing with her head?
Delicatessen
Amelie director Jean-Pierre Jacquet collaborated with Marc Caro on their first film, a breathlessly inventive and unexpectedly charming comedy about two young lovers evading a cannibal butcher in a post-apocalyptic France.