As decades must, the 1990s had a beginning, a middle and an end. But in the spirit of Quentin Tarantino we’re going to launch our big summer series 90s, Baby smack in the middle, with 1994’s Pulp Fiction, the most original, exciting and influential movie of its era. On 35mm.
A pop post-modernist and voracious cultural magpie, Tarantino came out of nowhere (well, Video Archives), who was hailed as a new god of filmmaking overnight. With Reservoir Dogs (1992), Pulp Fiction and his screenplays for True Romance (1993) and Natural Born Killers (94) he electrified 90s film culture, changing the way movies sounded, the way they flowed, and how they connected with audiences. His emergence coincided with the advent of the world wide web, and Tarantino constructed his genre hybrids from a wide array of international influences — French new wave, American noir and 70s exploitation pictures, Hong Kong action cinema — rewriting the rule book as he did so.
Pulp Fiction scrambles the chronology of three interlocking narratives, as if in homage to Godard’s observation that a story should have a beginning, a middle and an end “but not necessarily in that order”. Revitalizing the careers of several flagging A-list stars at a stroke (John Travolta, Bruce Willis and Harvey Keitel), Tarantino unleashed a torrent of black comic verbal riffs and repartee. If the tone is ironic, the characters are iconic, and the momentum never flags throughout its 154-minute running time. Backed by Miramax Films, the indie company that dominated movie talk in the 90s (even as it was bought up by Disney), Pulp Fiction won the Palme d’Or and broke the $100 million barrier at the North American box office, ushering in the era of the “mini-major”, through which the studios co-opted many of the best and brightest of the independent sector.
Content Considerations: Graphic violence
It is everything you have heard, and many things you haven’t. Audacious, outrageous, indulgent, extreme. Mischievously brutal. Giddily visceral. Wildly enthusiastic. More fun than a barrel of monkeys. Mad, bad and dangerous to know.
Rob Salem, Toronto Star
Quentin Tarantino
John Travolta, Samuel L Jackson, Uma Thurman, Harvey Keitel, Bruce Willis
USA
1994
English
Palme d’Or, Cannes; Academy Award, Best Original Screenplay
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Credits
Screenwriter
Quentin Tarantino
Cinematography
Andrzej Sekula
Editor
Sally Menke
Production Design
David Wasco
Art Director
Charles Collum
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
GoodFellas
The ultimate crash and burn movie, Scorsese's exhilarating gangster film is infused with the excitement of fast cash, girls, guns and drugs. Yet this brazenly amoral movie also captures the brutality, betrayal, and spiritual void of the criminal world.
Madonna: Truth or Dare
A year in the life of Madonna at the height of her fame, touring Blonde Ambition through 1990. There's concert footage, but the movie is also daringly truthful about life behind the scenes — not that Madonna is every really off-stage.
Pulp Fiction + The ReViberators
In the spirit of Quentin Tarantino, we're going to launch our summer series 90s, Baby! smack in the middle, with 1994's Pulp Fiction, the most exciting and influential movie of its era. On 35mm. Preceded by surf guitar sensations The ReViberators live!
Jacob's Ladder
Ever feel you're losing your mind? Jacob Singer (Tim Robbins) comes back from the Vietnam War with a firefight in his head. Sanity is a losing battle in Adrian Lyne's terrifying psychological thriller.
Reservoir Dogs
Quentin Tarantino announced himself to the world with this ingeniously fractured heist movie, carved into character-centric chapters, riffing breezily on pop culture, but counterpointing all this with blood-soaked intensity.
Total Recall
The master of the subversive blockbuster, Paul Verhoeven concocts a film about corporate mind-control vs. revolutionary uprising by setting it on Mars and allowing for the possibility the whole thing is just an escapist fantasy...
True Romance
Rockabilly comic book clerk Clarence (Christian Slater) meets dream girl Alabama (Patricia Arquette) with trouble in her wake, in this seminal couple on the run thriller from Quentin Tarantino's excitable mind.
The Company of Strangers
In this Canadian gem, seven elderly women find themselves stranded when their bus breaks down in the wilderness. With only their wits, memories and some roasted frogs' legs to sustain them, this remarkable group of strangers share their life stories.
Boyz n the Hood
Twenty-three-year-old writer-director John Singleton's groundbreaking portrait of three young men growing up in South Central is a film of integrity and compassion. It's a far richer portrait of Black lives than Hollywood's gangsta exploitation pics.
Terminator 2: Judgment Day
In 2029, Earth has been ravaged by the war between the malevolent artificial intelligence Skynet and the human resistance. (Yep.) James Cameron's all too relevant action movie is in some ways unsurpassed. Linda Hamilton is the mom we all need right now.
Thelma & Louise
In this iconic feminist road movie BFF Geena Davis and Susan Sarandon take off for a weekend getaway that turns violent when one of them is attacked. The stakes get higher as they flee the scene. Winner: Best Original Screenplay (Callie Khouri).
Julio Avila Cuban Band Live + The Mambo Kings Film Screening
Feel the heat! Shake your booty as we combine a live set of exhilarating Cuban music followed by a rediscovered 90s barnstormer of a movie starring Latin heartthrobs Armand Assante and Antonio Banderas alongside the likes of Tito Puente and Celia Cruz.
The Silence of the Lambs
Hannibal "The Cannibal" Lecter (Anthony Hopkins) gives FBI serial killer hunter Clarice Starling (Jodie Foster) pointers from his maximum security cell. But is he trying to aid the investigation, or just messing with her head?
Delicatessen
Amelie director Jean-Pierre Jacquet collaborated with Marc Caro on their first film, a breathlessly inventive and unexpectedly charming comedy about two young lovers evading a cannibal butcher in a post-apocalyptic France.